Since 2004, Will Holder has been working with Alex Waterman on “Yes, But Is It Edible?”, a scored biography of the composer, to be colectively read aloud. Holder and Waterman have developed a form of typographycal notation in order to reproduce (semi-autobiographical) operas that were developed through oral instruction and negotiation? During this period of exhibition, Holder will be residing in Brussels to complete this publication. On show at Objectif are earlier works of Robert Ashley which – though not included in the biography – have informed the process of its making.
Since 2004, Will Holder has been working with Alex Waterman on “Yes, But Is It Edible?”, a scored biography of the composer, to be colectively read aloud. Holder and Waterman have developed a form of typographycal notation in order to reproduce (semi-autobiographical) operas that were developed through oral instruction and negotiation? During this period of exhibition, Holder will be residing in Brussels to complete this publication.
ReplyDeleteOn show at Objectif are earlier works of Robert Ashley which – though not included in the biography – have informed the process of its making.
The follow-up talk: http://www.ted.com/talks/sir_ken_robinson_bring_on_the_revolution.html
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